Showing posts with label Bernard Lee. Show all posts
Showing posts with label Bernard Lee. Show all posts

Thursday, 15 November 2012

Bond: In Review

Courtesy of Wikipedia
I'm just going to stick a note out there: while I usually try to be at least semi-spoiler free (the jury is still out on whether or not I'm successful there), I am not going to maintain that in this post. It is possible that there will be spoilers for all the movies, including Skyfall.
Directors: Terence Young, Guy Hamilton, Lewis Gilbert, Peter R. Hunt, John Glen, Martin Campbell, Roger Spottiswoode, Michael Apted, Lee Tamahori, Marc Forster, Sam Mendes

Movies: In my opinion, the best Bond film was Casino Royale.  This surprised me largely because I'm not usually a fan of origin stories and reboots, but I like what they did here - it was kind of like the Bond-version of Christian Bale's Batman, minus the exposition explaining the back story.  I don't think I'm going to list off all the movies in order of how much I liked or did not like them, but I will say that my top 5, in order of release, would be Dr. No, From Russia with Love, GoldenEye, Casino Royale, and Skyfall.  My bottom five, also in order of release, would be On Her Majesty's Secret Service, Live and Let Die, Moonraker, The World is Not Enough, and Die Another Day.

Bonds: If you've been paying attention, my favourite Bond was by far Daniel Craig.  Despite the problems of his series, and I will admit that there were many - particularly with Quantum of Solace - I really like the character that he portrayed here most.  In a lot of ways, it's a more rounded and developed person than the previous Bonds.  My second favourite would be Sean Connery, and I would follow that up with Timothy Dalton, Pierce Brosnan, Roger Moore, and George Lazenby, in that order.

Ms: Oh, how I love Dame Judi Dench.  She really rocked the M.  My favourite line in the entire series is her characterization of Bond in GoldenEye, and I really love the relationship that she had with her two Bonds.  I did also like Bernard Lee, and I'm really looking forward to seeing what Ralph Fiennes does with the character in the future - I hope they retain him in the as-of-yet titled Bond 24 and Bond 25.  Sorry Robert Brown, you didn't make much of an impact on me.  Thus, in order: Judi Dench, Bernard Lee, Ralph Fiennes, Robert Brown.

Qs:  While I was really happy that they reintroduced Q in Skyfall, I wasn't particularly wowed by Ben Wisham's Q.  He had some good lines and played a significant role, but he didn't wow me. I loved Desmond Llewelyn's Q, and while I really enjoyed John Cleese's role, I think I preferred him as "R" to Q. I kind of feel that Q needs to be a bit more of a straight man than Cleese allowed for.  I don't think Peter Burton left an impact either.  In order: Desmond Llewelyn, John Cleese, Ben Whishaw, Peter Burton.

Moneypennys: The best Moneypenny, by far, is Lois Maxwell's.  She played the roll in 16 films, against three Bonds.  I really love how she balanced the flirtation with Bond against the rejection of Bond.  My second favourite would be Samantha Bond, who really seemed to embrace the early Moneypenny while also going with a bit of a more modern upgrade.  This upgrade was initiated a lot by Caroline Bliss' Moneypenny, but it didn't have the earlier affection - I didn't like her.  As for Naomie Harris... I'm still really on the fence here.  I loved her as a Bond girl, but I hate the idea of Moneypenny being a Bond girl.  I'm really not sure if she crossed that line here, and that bothers me.  Thus, in order: Lois Maxwell, Samantha Bond, Caroline Bliss, and Naomie Harris sits out on the sidelines.

Bond Girls: I'm not going to go into the individual Bond girls, as there are so many of them - with the exception of Quantum of Solace, which only has two, there's always been at least three, and in A View to Kill there were six women identified as Bond girls.  I'm always a bit mixed on the Bond girls in general, they kind of seem to go back and forth between being useful, developed characters, and simply just sex objects.  I think in general I liked the earlier ones more than the later ones simply because they didn't try to force us to believe that they were more than just sex objects - the idea of the Bond girl having to be this strong, independent person really began to be forced on is in the Brosnan movies, but a lot of the girls before then were a lot stronger and really better characters.  One thing, I'm not a huge fan of the Daniel Craig Bond girls, with the exception of Casino Royale's Vesper Lynd (Eva Green) and, in a complicated way, Skyfall's Eve Moneypenny (Naomie Harris).  I thought that both were really strong characters. I really loved Vesper in general and the way that Bond develops feelings for her specifically - in a way it's very reminiscent of On Her Majesty's Secret Service, without the cheese.  I also really liked the relationship that Bond and Eve had, I just didn't like the reveal of her being Moneypenny in the end - Moneypenny is not a Bond girl.

Villains: I really fluctuate on my feelings towards different Bond villains.  Some of them I loved, some of them I hated.  Some of them I thought were great actors and were doing their best with what was given to them, but still fell short.  My favourite villains in general tended to be the ones who either operated as a part of some elaborate fictional organization - SPECTRE or Quantum - or were rogue agents themselves.  I actually kind of find it funny that these movies seem to pair up Bond dealing with a rogue agent with Bond going rogue himself.

Music: You know what might be my favourite part of this series overall?  The music.  I really love most of the themes for this series, and in particular the way that they make reference to the film's title - it doesn't happen in all the films, but definitely enough.  I can kind of divide the themes into two categories; songs that totally have a James Bond theme song sound to them, and ones that don't.  In my opinion, the former category is far better.  These include Adele's "Skyfall," Madonna's "Die Another Day," Tina Turner's "GoldenEye," Sheena Easton's "For Your Eyes Only," and Paul McCartney and the Wings' "Live and Let Die," as well as the Shirley Bassey songs, "Goldfinger" and "Diamonds Are Forever."  Even just in typing the names out, the songs have implanted themselves into my head, resulting in a strange mashup playing out.  Now, that's not to say that other Bond-songs aren't good, just that they don't sound as much like Bond songs  and thus are somehow less iconic.  What is the most iconic of all, of course, is the "Bond Theme Song," which I think perfectly captures the feel of a Bond film.

I'm just going to finish this off with a table listing off the movies and the actors in the major roles.  As usual, links are provided to my reviews of the actual movies themselves.


Movie Director Bond M Q Moneypenny Girl Villain
Dr. No Terence Young Sean Connery Bernard Lee N/A Lois Maxwell Ursula Andress Joseph Wiseman
From Russia with Love Terence Young Sean Connery Bernard Lee N/A Lois Maxwell Daniela Bianchi Lotte Lenya
Goldfinger Guy Hamilton Sean Connery Bernard Lee Desmond Llewelyn Lois Maxwell Honor Blackman Gert Fröbe
Thunderball Terence Young Sean Connery Bernard Lee Desmond Llewelyn Lois Maxwell Claudine Auger Adolfo Celi
You Only Live Twice Lewis Gilbert Sean Connery Bernard Lee Desmond Llewelyn Lois Maxwell Akiko Wakabayashi Donald Pleasence
On Her Majesty's Secret Service Peter R. Hunter George Lazenby Bernard Lee Desmond Llewelyn Lois Maxwell Diana Rigg Telly Savalas
Diamonds Are Forever Guy Hamilton Sean Connery Bernard Lee Desmond Llewelyn Lois Maxwell Lana Wood Charles Gray
Live and Let Die Guy Hamilton Roger Moore Bernard Lee N/A Lois Maxwell Jane Seymour Yaphet Kotto
The Man with the Golden Gun Guy Hamilton Roger Moore Bernard Lee Desmond Llewelyn Lois Maxwell Maud Adams Christopher Lee
The Spy Who Loved Me Lewis Gilbert Roger Moore Bernard Lee Desmond Llewelyn Lois Maxwell Barbara Bach Curd Jürgens
Moonraker Lewis Gilbert Roger Moore Bernard Lee Desmond Llewelyn Lois Maxwell Lois Chiles Michael Lonsdale
For Your Eyes Only John Glen Roger Moore N/A Desmond Llewelyn Lois Maxwell Carole Bouquet Julian Glover
Octopussy John Glen Roger Moore Robert Brown Desmond Llewelyn Lois Maxwell Maud Adams Steven Berkoff, Louis Jourdan
A View to Kill John Glen Roger Moore Robert Brown Desmond Llewelyn Lois Maxwell Tanya Roberts Christopher Walken
The Living Daylights John Glen Timothy Dalton Robert Brown Desmond Llewelyn Caroline Bliss Maryam d'Abo Jeroen Krabbé
Licence to Kill John Glen Timothy Dalton Robert Brown Desmond Llewelyn Caroline Bliss Carey Lowell Robert Davi
GoldenEye Martin Campbell Pierce Brosnan Judi Dench Desmond Llewelyn Samantha Bond Izabella Scorupco, Famke Janssen Sean Bean
Tomorrow Never Dies Roger Spottiswoode Pierce Brosnan Judi Dench Desmond Llewelyn Samantha Bond Michelle Yeoh, Teri Hatcher Jonathan Pryce
The World is Not Enough Michael Apted Pierce Brosnan Judi Dench Desmond Llewelyn Samantha Bond Denise Richards, Sophie Marceau Sophie Marceau, Robert Carlyle
Die Another Day Lee Tamahori Pierce Brosnan Judi Dench John Cleese Samantha Bond Halle Berry, Rosamund Pike Toby Stephens, Rosamund Pike
Casino Royale Martin Campbell Daniel Craig Judi Dench N/A N/A Eva Green Mads Mikkelsen
Quantum of Solace Marc Foster Daniel Craig Judi Dench N/A N/A Olga Kurylenko, Gemma Arterton Mathieu Amalric
Skyfall Sam Mendes Daniel Craig Judi Dench, Ralph Fiennes Ben Whishaw Naomie Harris Naomie Harris Javier Bardem

Thursday, 27 September 2012

Moonraker (1979)

Director: Lewis Gilbert
Genre: Action, Adventure, Thriller
Rating: C+

Bond (Moore) is back, this time investigating the disappearance of the space shuttle Moonraker.  His investigation brings causes him to look into Hugo Drax (Lonsdale), the owner of the company that made the shuttle, and Dr. Holly Goodhead (Chiles), an astronaut who is also investigating the disappearance.  Guess who turns out to be the bad guy and who turns out to screw Bond.

I think at this point the Bond movies are beginning to fall into a bit of a tired forumla; they open with something that probably has little to do with the current film (but might tie into the last one) and usually features Bond about to sleep with some woman, credits role, Bond is given a mission, he meets the bad guy who is pretending to not be the bad guy, he meets the woman, he flirts heavily with the woman while defeating the bad guy then screws the woman and all is good.  Honestly, it gets kind of boring after awhile.

Frequent Bond screenwriter Richard Maibaum has said of this movie that "[w]ith Moonraker, we went too far in the outlandish," which means that I'm allowed to critique Moonraker for its outlandish-ness.  I've criticized previous films for their outrageousness and it's been a frequent comment in these reviews that I've found myself saying "are you fucking serious."  While I've been trying to just go with it, in Moonraker I was back at the "are you fucking serious" state as problem after problem piled up.  I did enjoy the ending, I will admit that, but I wasn't really a fan of the journey to get to it.  It was, as Mauibaum put, "too far in the outlandish."  Even with a suspended disbelief, I couldn't really bring myself on board to the whole concept.

Thursday, 20 September 2012

The Spy Who Loved Me (1977)

Director: Lewis Gilbert
Genre: Action, Adventure, Thriller
Rating: B

Where to start... Okay, well, credit where credit is due.  Once I stopped taking the series seriously I did in fact start enjoying them more.  I somehow doubt that I'll ever be a big Bond fan, but I'm not hating the movies so that's something.  I'm also really starting to enjoy Moore's Bond, possibly even more than Connery's (as I type this I can practically hear my brother shaking his head with disappointment).

Bond (Moore) is at it again, this time pairing up with his Soviet, female counterpart. When British and Soviet subs start mysteriously disappearing Bond is summoned by MI6 and Major Anya Amasova (Bach) is summoned by the KGB in order to investigate.   The two team up and eventually discover that scientist and anarchist Karl Stromberg (Jürgens) is behind it all.  It's up to the two of them to stop Stromberg and have hot sexy times, although not necessarily at the same time.

So, as it has become impossible for me to broach a Bond movie without mentioning the sexy times, let's start with a discussion of the Major, also known as Triple X.  This was probably the first Bond film where I felt that the relationship with the woman was neither demeaning to her nor out of context with the series.  So far, Barbara Bach just might be my favourite Bond girl.  She was a strong, independent woman who just happened to screw around with Bond during their mission.  He didn't demean her by doing things like hide her in a closet while he sleeps with another woman, and she also serves as more than just a damsel in distress for Bond to save.  In this movie I really felt like Bond found someone equal to him.

What else... the action was fun, although I would appreciate it if Bond movies stopped having underwater lairs.  These movies tend to be a bit repetitive, or at least the villains are.  Either they're really ridiculous and have me going "are you fucking serious" or it's the same thing over and over.  Plus the whole concept of an underwater lair makes for lame action sequences.  It's a pain to determine who's fighting who and the like when everyone's underwater wearing scuba gear.  Just saying.  While we were saved from this in Spy it wasn't from lack of trying.

Thursday, 13 September 2012

The Man with the Golden Gun (1974)

Courtesy of Wikipedia
Director: Guy Hamilton
Genre: Action, Adventure, Thriller
Rating: B-

Holy fuck these movies are racist.  That was what went through my mind pretty much the entirety of this movie.  The series, so far, is rife with stereotypes and negative depictions of anyone who isn’t a white British subject.  These movies are really racist – like ridiculously so – and just seem to get worse as they go on.  Likewise with the misogamy.  I wouldn’t say James Bond, the character, is himself a mysoganist, but the movies definitely paint women in a certain way.

The Man with the Golden Gun takes Bond (Moore) back to Asia, this time Thailand where he’s searching for assassin Francisco Scaramanga (Lee), known as the man with the golden gun because he has a golden gun that he uses to shoot people with gold bullets.  One such bullet was sent to MI6 with Bond’s code etched into it, leading them to believe that Bond is his next target.  Along the way, Bond acquires an assistant in the form of Miss Goodnight (Ekland), who he is rather determined to sleep with, flirts heavily with Scaramanga’s mistress Andrea Anders (Adams), and comes up against Sacramanga’s dwarf manservant Nick Nack (Villechaize).

Midway through the movie I sent a friend a text saying “I just saw James Bond give a sumo wrestler a wedgie before being knocked out by an ugly midget.”  I’m not sure what else I can say to critique this film than the massive “what the fuck” that I thought when I saw that scene and that I’m expecting you thought when you read that sentence.  I think if I really put a lot into a review of this movie it would involve taking this movie as serious, and I can’t take something serious that involves a scene like that.

I kind of came to that conclusion about mid-way through this movie; if I don’t take them seriously and just go with the flow, no matter how ridiculous it gets, they’re more enjoyable. I don’t think these are actually good movies, but they can be fun.  That having been said, I'm still kind of annoyed with Miss Goodnight for sleeping with Bond.

Live and Let Die (1973)

Courtesy of Wikipedia
Starring: Roger Moore, Bernard Lee, Yaphet Kotto, Jane Seymour, David Hedison
Director: Guy Hamilton
Genre: Action, Adventure, Thriller
Rating: C+

This might be my least favourite of the Bond movies so far.  It’s racist, it’s rediciulous, it’s bad.  It’s Roger Moore’s first run at being James Bond and, while I didn’t hate his performance, per say, I didn’t really warm up to him.  One movie in and I’m definitely preferring Sean Connery, if only because Connery was in better Bond movies.

Live And Let Die sends Bond (Moore) to New York where he’s investigating the murder of an MI6 agent.  There he runs into gangster Mr. Big (Kotto) who is involved in the heroin trade and meets Mr. Big’s psychic and tarot expert Solitaire (Seymour), who’s powers depend on her being a virgin.  Points if you’ve already guessed whether or not Solitaire is 1) still psychic at the end of the movie and 2) still a virgin.

The big problem with Live and Let Die – beyond the racism – is that it didn’t have the feel of a Bond film, much like the George Lazenby film.  It seems like being Bond is something that the actors have to grow into, a task that may take more than just one film to do so.  Producers, on the other hand, don’t seem to really be interested in making this growth easy for the actors either.  Had this been another Connery Bond it might have felt more Bond-ish simply because the character and actor are already established.  As it is, however, Live and Let Die is something different from its predecessors, a fact that becomes more prominent given the new actor playing Bond.  If they’d started with something more Bond-ish then followed up with Live and Let Die it might have come across as better… or it might not have, because Bond-ish or not, it’s still a horribly racist movie that isn’t really good.

Thursday, 6 September 2012

Diamonds Are Forever (1971)

Director: Guy Hamilton
Genre: Action, Adventure, Thriller
Rating: C

Okay, so this movie literally features a scene when Bond is being attacked – in a violent sense of the word – by two underwear clad women named Bambi (Lola Larson) and Thumper (Trina Parks). In a couple of the reviews so far I’ve said that while the plot devices were cheesy at least they didn’t reach the level seen in Austin Powers. I now have to take that back – this officially hits a point lamer than in Austin Powers. I was definitely disappointed.

Diamonds Are Forever is - surprise, surprise - about diamonds.  After seemingly killing Blofeld and a Blofeld (Gray) look-alike, Bond (Connery) is given the task of uncovering a diamond smuggling ring.  Here he poses as smuggler Peter Franks (Joe Robinson), while killing the real Franks, whose body is then passed off as Bond - Bond faking his own death seems to be a common theme in these movies.  While investigating the whole thing, Bond also sleeps with women, notably diamond smuggler Tiffany Case (St. John).

This movie is ridiculously campy.  While many of the other movies (so far) have had huge elements of camp Diamonds Are Forever takes this to a whole new level - from villains Bambi and Thumper to the dull Bond girl, the portrayal of Blofeld, and the overall plot.  Bond movies are supposed to be sophisticated, classy, and dangerous... this one's just kind of lame.  It's really a rather sad note for Connery to have gone out on, although he will be back for the non-Eon Bond film Never Say Never Again.

On Her Majesty's Secret Service (1969)

Director: Peter R. Hunt
Genre: Action, Adventure, Thriller
Rating: C+

This is definitely my least favourite so far of all the Bond movies, and I rather suspect that it's going to remain such for a good while (potentially even forever).  A lot of my problems with this movie were similar to my problems with The Bourne Legacy; while Bond has become a franchise that is greater than the individuals that have played Bond (at this point, eight actors have portrayed him in twenty six films and one short), the initial foray into a Connery-less Bond film just doesn't really work.  Lazenby was not a great Bond in general and the tone of the movie overall felt just... off.

SPECTRE Number 1, Blofeld (Salavas) is back, this time with a plot to sterilize all the world's food supply unless his demands are met.  Blofeld is doing this through the use of what he dubs his Angels of Death; a group of women who go to an allergy and phobia clinic in the Swiss Alps, where they're brainwashed.  Bond poses as geneologist Sir Hilary Bray in order to gain access to the clinic, where he sets out to defeat Blofeld and sleep with as many Angels of Death as he can.  Rounding out the plot is Contessa Teresa di Vicenzo (Rigg), a woman who Bond saves and begins to woo in exchange for information about Blofeld from her father.  Because Bond's classy like that.

To start; Lazenby's portrayal of Bond was lame.  He didn't have the finess or class that Connery's Bond has - I hate to compare actors playing the same role to each other, because it isn't really fair, but in this it's hard not to.  This isn't really a reboot of the franchise, a new series, or a remake; it's a continuation of the same series, and thus Lazenby is supposed to be continuing the same character.  While Lazenby may be forgiven for attempting to make the character his own, he does so in a manner that's just a bit too extreme.

He's not helped at all by the general story either.  Starting a new Bond in a role where he spends most of the movie pretending to be someone else is not the wisest move.   Having Bond then go on to do un-Bondly things just makes the situation worse.  I've commented before that Bond is rather sexist, but having him date a suicidal woman just so that he can get information from her father is a new low for him.  There was just something about him in this movie that made me actually want to root for the bad guys - which is really saying something, given as in Bond the bad guys tend to be pretty much pure evil.  I expect better from Bond.

Thursday, 16 August 2012

Thunderball (1965)

Director: Terence Young
Genre: Action, Adventure, Thriller
Rating: B

I think the problem with going back and watching the James Bond movies is that while some of the tropes that they used in the series weren’t necessarily old and clichéd at the time they certainly are now.  Some of the situations that Bond gets into kind of seem a bit ridiculous and over the top – more fodder for an Austin Powers movie than an actual serious action flick.  There is no single part of Thunderball that really stands out as great, although there are a few that kind of stand out as corny – notably the jetpack, the underwater jet pack, the sharks, and the underwater sex.  I realize that sex is necessary in a Bond film, I’m just saying that this sex was particularly lame.

Thunderball sees the return of SPECTRE.  The terrorist organization has succeeded in apprehending two atomic bonds, for which they are demanding a £100 million ransom – if their demands are not met then a major city in either the United Kingdom or the United States will be destroyed.  Everyone’s favourite MI6 agent, Bond (Connery), takes up the task of finding the bombs without having to pay the ransom.  Bond decides to follow Domino (Auger), the sister of the now dead French NATO pilot who had been responsible for the bombs, and discovers that she is the mistress of SPECTRE No. 2, Emilio Largo (Celi).  It’s only a matter of time before Bond succeeds in seducing Domino and defeating Largo.

Courtesy of Wikipedia Courtesy of Wikipedia
Despite the fact that there’s nothing out- standing about this film and the fact that there are more than a few corny bits, I actually kind of enjoyed Thunderball.  It’s lame, but it’s fun, and that’s everything that I expect from an action movie.  They’re not supposed to be deep, introspective films, they’re  supposed to be fun and escapist.  There is nothing about Thunderball that is remotely believable and the special effects are ridiculously lame – although forgivable given that it was filmed in the 60s – but that’s okay.  In my  opinion there are two Sean Connery images that should go down in everyone’s memory as the epitome of good actors making the best of a movie – one is the rather infamous image of him in Zardoz and the other is the image of him in the jet pack in Thunderball.  Seriously – I don’t usually use screenshots, but I had to for this.
 
The film does take a long time to get started, but I’ve kind of been feeling that in general with these movies.  The underwater sequences weren’t the best… but underwater sequences are never the best.  They did have sharks, but at least they didn’t have lasers on their heads.  I think that might actually be the reason why I liked this movie – it wasn’t all that great, but at least it wasn’t Austin Powers.  I’m now going to re-evaluate my enjoyment of Thunderball.