Showing posts with label Maggie Siff. Show all posts
Showing posts with label Maggie Siff. Show all posts

Saturday, 22 December 2012

Sons of Anarchy (Season 3)

Courtesy of Wikipedia
Genre: Crime, Drama, Action, Comedy
Rating: A-

Have I mentioned yet how much I love the music in Sons of Anarchy?  I don’t think that I have.  A lot of the series’ music is stuff from lesser known, newer artists with a traditional rock and roll tone to it, although a few artists who are more established are also briefly used.  There’s also a lot from series composer Bob Thiele’s band The Forest Rangers, often featuring a vocal accompaniment by another artist.  There are also frequent covers, done in a way that feels different but at the same time totally fits with the tone of the show.  If you haven’t already, you should definitely check out the soundtracks.

I think the third season of Sons of Anarchy managed to both improve on the previous seasons and lose some of the charm.  The plot continues to grow in direction and become less overly complicated, but I think some of the elements of it were a bit rushed and I found at some points I really needed to suspend my disbelief.  I really liked the note that the season ended on and the implications that it had for the next season, but some of the journey was a bit bumpy.

Season three picks up a bit after where season two left off: Gemma (Sagal) has fled from Charming and is in hiding with Tig (Coates) and SOA members from another charter guarding her while the other Sons are searching for Cameron (Jamie McShane) and Abel.  The search is not going well, however, as Cameron flees to Belfast, Northern Ireland, where he seeks help from his cousins Maureen Ashby (Paula Malcomson) and Father Kellan Ashby (James Cosmo), the latter whom acts as an intermediary between Jimmy O’Phelan (Titus Welliver) and the Real IRA.  Rather than simply hand Abel over to the Sons, Father Ashby and the IRA begin to weave their own intricate plot in which the Sons of Anarchy are just pawns.  Meanwhile in town all the violence is beginning to catch up to the Sons and following a drive-by shooting at Half-Sack’s wake the townsfolk begin to turn against the club and those associated with it.  In order to maintain their standing the club has to restore order, but they’re being opposed by Jacob Hale, Jr (Jeff Kober), who is now running for mayor and is even more determined to remove SAMCRO from Charming.  Gemma, meanwhile, is longing for her family and, unable to return to Charming, goes to visit her newly widowed father, Nate (Hal Holbrook), who suffers from dementia.  I kind of love how I just wrote a summary of the season’s events while only mentioning two of the series’ stars by name.  The creepiest moment by far, however, is the guest appearance of Stephen King, who plays a man named Bachman.  That man is just… yeah.

So, I'm going to look at this season in two different lights; on the one hand you have the plot with Gemma in the US, and on the other hand you have the plot with the search for Abel in Ireland.  I loved the plot with Gemma and the way that we got to see her relationship with people beyond the Sons.  We got to see a bit of who she was before she became an Old Lady.  I also really love the development of her relationship with the Sons who aren't Jax (Hunnam) and Clay (Perlman).  We really get to see that she is as much a part of the club as the members; we see that she is as loved as any of the men in it, possibly more so.  I really get the feeling that if Clay wasn't around, any one of the older men in the club would make a try for her, even Tig who's sexuality is a reoccurring joke on the show.  I also love that the issues that Gemma is trying to overcome here bring up cause to develop the relationship between her and Tara (Siff).  That's a really great relationship, and I like seeing where it goes.

So, yeah.  While I loved the plot with Gemma, I kind of question the Abel plot.  There were great elements of it, but in the end it was a bit much.  I can really see how this whole thing is going to end up completely screwing the Sons over, especially Jax.  Sometimes, I think the show is being set up for a massive kill-them-all ending - a thought that is only reinforced by the Shakespearean themes to it - and the whole thing with the Irish was one of those moments.  Can't you see the show ending like that, with everyone dead?  I do.

Saturday, 8 December 2012

Sons of Anarchy (Season 5)

Courtesy of Wikipedia
Genre: Crime, Drama, Action, Comedy
Rating: A-

Holy shit.  That's all I can say after having watched this season of Sons of Anarchy. Holy shit.  Season five shows us what happens to the MC following Jax's rise to power.  Jax's sovereignty is shaky from the start; Tig (Coates)'s actions in season four have pitted SAMCRO against the crew of Damon Pope (Harold Perrineau), a man who has a lot more power and in many ways is a lot scarier than Jax.   A series of home invasions have begun to rock Charming, with the police looking to blame SAMCRO at least in part for them.  Jax must also find a way to get rid of Clay (Perlman) once and for all, while Clay is trying to figure out how to regain his power.  Gemma (Sagal), meanwhile, is on a path to hitting rock bottom as she begins drinking and smoking heavier than before, and ends up in the bed of a pimp, Nero (Jimmy Smits), who uses his relationship with Gemma to forge a relationship with Jax and the club.  Tara (Siff) closes herself off to Gemma once again, and is still looking to get her and her family away from the club, while also using her doctoring services in an attempt to get closer to Otto (Sutter).  Oh, and Opie (Hurst) is beginning to question the club even more, and his future within it.

Every episode this season had me starring at the screen going "what the fuck".  I was never really sure just what was about to happen, and every twist that came shocked me.  I laughed, I cried, I got angry, I cried some more.  Even though it's only just ended, I'm already eager for the next season to start up so that I can find out what happens next.  I think I am now more convinced than ever that by series end everyone will be dead - I also think that by the end of it all, Otto will have no more body parts, at least on his face.

This season was a bit jumpy at points, and at times the direction was a bit confusing.  Things seemed to happen not necessarily because they made sense but because they had to happen and it's TV.  I also spent a lot of time watching what was happening with Jax and really questioning the decisions that he was making.  This season is about the descent of Jax and his transition into the kind of man that Clay is.  There's also a lot of fighting between Gemma and Tara, and I can't help but feel that the show is setting things up for one of their departures from things as well, if not both of them.  Once again, everyone's going to die, that's my prediction.

If you've seen this series, or at least the first few episodes, I really recommend watching this video released by EW - clicking it has some very strongly implied spoilers, though, so don't do so unless you already know what happens or don't mind figuring it out.

Sons of Anarchy (Season 2)

Courtesy of Wikipedia
Genre: Crime, Drama, Action, Comedy
Rating: A

The second season of Sons of Anarchy nicely takes the set up that was the first season and expands on it.  This season is far better than the first, with a more concise and clearer plot and a higher degree of threat to the club.  The issues surrounding the first season are still at force here, especially the threat of ATF and the way that Tara (Siff) fits into Jax (Hunnam)’s world, but there are also whole new threats to the world of Sam Crow and the issues between Clay (Perlman) and Jax begin to really come into the light.  Jax, meanwhile, learns that Donna’s death was at the hands of a club member on the order of Clay and begins to use this as a means of challenging Clay, although never so severely so as to outright challenge Clay’s continued leadership.  Rounding things out is the club’s involvement in the pornography studio run by Big Otto (Sutter)’s wife, Luanne (Dendrie Taylor), who is being threatened by another studio run by Georgie Caruso (Tom Arnold), and the reparation of the relationship between SAMCRO and the Real IRA when its head Jimmy O’Phelan (Titus Welliver) comes stateside.

The big threat of the season is the new-to-Charming white separatists group, the League of American Nationalists (LOAN), who quickly begin to try to drive the Sons out of Charming – early on in the series, this results in the kidnapping and gang rape of Gemma Morrow (Sagal).  Gemma hides the rape from Clay, Jax, and other SAMCRO members, telling only Unster (Callie) and Tara, who try to help her deal with the attack throughout the season.  Tara, meanwhile is trying to figure out just what her role is as Jax’s Old Lady, and how to reconcile it with her role as a doctor at the hospital. 

I think, so far, my favourite moment of this series has to be when Gemma and Tara finally bonded. Over guns. In the parking lot behind a porn film studio run in part by the club. The whole idea of Gemma being this over protective bitchy mother who spends a lot of time trying to control how her son lives his life got old really fast. Really, really fast. I love how this season Gemma seems to have decided to accept Tara and the role that she now plays in Jax’s life and has set out to help Tara adjust to life as an “old lady.” There are a lot of moments that really showed this transition, but my favourite was definitely when Gemma re-armed Tara and taught her how to shoot – and provided her with a way to take out some of her stress and assert her dominance. It was an interesting development and I think really showed just how Gemma went from being a girl not unlike Tara to the matriarch that she is now, as well as suggesting that with time Tara will fill in the role of matriarch herself.

 I also really like the journey that you can see each of the characters embarking on.  This season is a lot easier to follow than the first one, with things seeming to make a lot more sense and being a lot more cohesive.  I also really, really like the whole idea of Tara and Jax being together and dealing with that, instead of not being together and wanting to but pretending to not want to... yeah, that part got annoying really fast last season.  I know things aren't going to be all hunky dory for the lovers and their MC in the future, but somehow the fact that they at least have each other gives me hope.  That is, until you consider the fact that this is supposed to be inspired by Hamlet, where everyone dies horribly.

Saturday, 29 September 2012

Sons of Anarchy (Season 1)

Courtesy of Wikipedia
Genre: Crime, Drama, Action, Comedy
Rating: B

I have to say I was almost instantly hooked on this show.  I was a bit overwhelmed by the many differentdirections that the plot took throughout the course of the season – there are alot of characters and a lot of stuff happens – but I was always able tofollow.  The show could have been simplified, but I think then it would have been something less.  One early criticism of the show says that the early episodes lacked direction, and I can totally see this.  The early episodes are in need of direction,but they figure things out pretty quickly.

The first season of Sons ofAnarchy takes us to Charming, California which is essentially ruled by the motorcycle club Sons of Anarchy Motorcycle Club Redwood Original, or SAMCRO,and its members and affiliates – notably club president Clay Morrow (Perlman), vice-president Jackson “Jax” Teller (Hunnam), Opie Winston (Hurst), Clay’s wife and Jax’s mother Gemma Teller Morrow (Sagal), Jax’s high school sweetheart Tara Knowles (Siff), and Charming Police Chief Wayne Unser (Callie).  The series begins with the torching of SAMCRO’s gun assembling warehouse by a rival club, the Mayans, and the premature birth of Jax’s son, Abel, by his estranged, meth-addicted wife, Wendy (Drea de Matteo).  With the warehouse gone Clay must find a way to restore the club’s activities – made harder by the fact that the Bureau of Alcohol, Tobacco, Firearms, and Explosives (ATF) is in Charming with the purpose of investigating and eradicating SAMCRO.  Jax, meanwhile, is forced to juggle the club life and a new family life, made somewhat more difficult by the re-emergence of his high school girlfriend and the love of his life, Tara, a doctor working at the local hospital.  Tara has returned to Charming because she was being stalked by ATF agent and ex-boyfriend, Josh Kohn (Jay Karnes), while living in Chicago.  Opie, meanwhile, is struggling with living a straight life.  His father, Piney (Lucking), is a co-founder of the club, and it’s really the only life Opie knows, but his wife Donna (Sprague Grayden) wants a better future for her family. Rounding out the plot is Jax’s discovery of a book written by his father and club co-founder, John Teller (voiced by Nicholas Guest), shortly before his death, lamenting the way that SAMCRO has strayed from its roots and causing Jax to question the leadership and future of the club.  The whole thing has a nice little Shakespearian theme to it, while being about a motorcycle gang there is a Hamlet undertone to it that becomes more obvious as the series progresses.

 While I do think Sons took a bit to take off it managed to capture me almost instantly. There's no dilly dawling or dicking around; it plunges you into things instantly and you just have to go with it.  I had a moment of "what the hell is going on" at first, then let myself be emerged.  The world is so immense in this show and there's so much detail to it.  I spent half the season just wondering what all the different patches on the crews cuts represented, before googling it  because I couldn't figure it out myself.

The aspect of the show that really saves it from being too complicated in this first season is the amazing abilities of the cast.  There wasn't a single performance here that I didn't fully believe - although I also don't think I understood at least half of what Chibs (Flanagan) was saying.  The performances in general are superb, with no one shining more than the rest and no one bringing the overall cast down.  I have to give credit to Sutter and whoever else did the casting; it's really rare that you find a show that's so nicely balanced.  Usually there's at least that one performance that isn't really as good as the rest or the performance that seems to be carrying the rest.  My favourite performance would be Katey Sagal's Gemma Teller-Morrow, but that's mostly just because over the years she's really perfected the role of white trash bitch.  I'm definitely looking forward to watching more of this show.