Showing posts with label John Cleese. Show all posts
Showing posts with label John Cleese. Show all posts

Thursday, 15 November 2012

Bond: In Review

Courtesy of Wikipedia
I'm just going to stick a note out there: while I usually try to be at least semi-spoiler free (the jury is still out on whether or not I'm successful there), I am not going to maintain that in this post. It is possible that there will be spoilers for all the movies, including Skyfall.
Directors: Terence Young, Guy Hamilton, Lewis Gilbert, Peter R. Hunt, John Glen, Martin Campbell, Roger Spottiswoode, Michael Apted, Lee Tamahori, Marc Forster, Sam Mendes

Movies: In my opinion, the best Bond film was Casino Royale.  This surprised me largely because I'm not usually a fan of origin stories and reboots, but I like what they did here - it was kind of like the Bond-version of Christian Bale's Batman, minus the exposition explaining the back story.  I don't think I'm going to list off all the movies in order of how much I liked or did not like them, but I will say that my top 5, in order of release, would be Dr. No, From Russia with Love, GoldenEye, Casino Royale, and Skyfall.  My bottom five, also in order of release, would be On Her Majesty's Secret Service, Live and Let Die, Moonraker, The World is Not Enough, and Die Another Day.

Bonds: If you've been paying attention, my favourite Bond was by far Daniel Craig.  Despite the problems of his series, and I will admit that there were many - particularly with Quantum of Solace - I really like the character that he portrayed here most.  In a lot of ways, it's a more rounded and developed person than the previous Bonds.  My second favourite would be Sean Connery, and I would follow that up with Timothy Dalton, Pierce Brosnan, Roger Moore, and George Lazenby, in that order.

Ms: Oh, how I love Dame Judi Dench.  She really rocked the M.  My favourite line in the entire series is her characterization of Bond in GoldenEye, and I really love the relationship that she had with her two Bonds.  I did also like Bernard Lee, and I'm really looking forward to seeing what Ralph Fiennes does with the character in the future - I hope they retain him in the as-of-yet titled Bond 24 and Bond 25.  Sorry Robert Brown, you didn't make much of an impact on me.  Thus, in order: Judi Dench, Bernard Lee, Ralph Fiennes, Robert Brown.

Qs:  While I was really happy that they reintroduced Q in Skyfall, I wasn't particularly wowed by Ben Wisham's Q.  He had some good lines and played a significant role, but he didn't wow me. I loved Desmond Llewelyn's Q, and while I really enjoyed John Cleese's role, I think I preferred him as "R" to Q. I kind of feel that Q needs to be a bit more of a straight man than Cleese allowed for.  I don't think Peter Burton left an impact either.  In order: Desmond Llewelyn, John Cleese, Ben Whishaw, Peter Burton.

Moneypennys: The best Moneypenny, by far, is Lois Maxwell's.  She played the roll in 16 films, against three Bonds.  I really love how she balanced the flirtation with Bond against the rejection of Bond.  My second favourite would be Samantha Bond, who really seemed to embrace the early Moneypenny while also going with a bit of a more modern upgrade.  This upgrade was initiated a lot by Caroline Bliss' Moneypenny, but it didn't have the earlier affection - I didn't like her.  As for Naomie Harris... I'm still really on the fence here.  I loved her as a Bond girl, but I hate the idea of Moneypenny being a Bond girl.  I'm really not sure if she crossed that line here, and that bothers me.  Thus, in order: Lois Maxwell, Samantha Bond, Caroline Bliss, and Naomie Harris sits out on the sidelines.

Bond Girls: I'm not going to go into the individual Bond girls, as there are so many of them - with the exception of Quantum of Solace, which only has two, there's always been at least three, and in A View to Kill there were six women identified as Bond girls.  I'm always a bit mixed on the Bond girls in general, they kind of seem to go back and forth between being useful, developed characters, and simply just sex objects.  I think in general I liked the earlier ones more than the later ones simply because they didn't try to force us to believe that they were more than just sex objects - the idea of the Bond girl having to be this strong, independent person really began to be forced on is in the Brosnan movies, but a lot of the girls before then were a lot stronger and really better characters.  One thing, I'm not a huge fan of the Daniel Craig Bond girls, with the exception of Casino Royale's Vesper Lynd (Eva Green) and, in a complicated way, Skyfall's Eve Moneypenny (Naomie Harris).  I thought that both were really strong characters. I really loved Vesper in general and the way that Bond develops feelings for her specifically - in a way it's very reminiscent of On Her Majesty's Secret Service, without the cheese.  I also really liked the relationship that Bond and Eve had, I just didn't like the reveal of her being Moneypenny in the end - Moneypenny is not a Bond girl.

Villains: I really fluctuate on my feelings towards different Bond villains.  Some of them I loved, some of them I hated.  Some of them I thought were great actors and were doing their best with what was given to them, but still fell short.  My favourite villains in general tended to be the ones who either operated as a part of some elaborate fictional organization - SPECTRE or Quantum - or were rogue agents themselves.  I actually kind of find it funny that these movies seem to pair up Bond dealing with a rogue agent with Bond going rogue himself.

Music: You know what might be my favourite part of this series overall?  The music.  I really love most of the themes for this series, and in particular the way that they make reference to the film's title - it doesn't happen in all the films, but definitely enough.  I can kind of divide the themes into two categories; songs that totally have a James Bond theme song sound to them, and ones that don't.  In my opinion, the former category is far better.  These include Adele's "Skyfall," Madonna's "Die Another Day," Tina Turner's "GoldenEye," Sheena Easton's "For Your Eyes Only," and Paul McCartney and the Wings' "Live and Let Die," as well as the Shirley Bassey songs, "Goldfinger" and "Diamonds Are Forever."  Even just in typing the names out, the songs have implanted themselves into my head, resulting in a strange mashup playing out.  Now, that's not to say that other Bond-songs aren't good, just that they don't sound as much like Bond songs  and thus are somehow less iconic.  What is the most iconic of all, of course, is the "Bond Theme Song," which I think perfectly captures the feel of a Bond film.

I'm just going to finish this off with a table listing off the movies and the actors in the major roles.  As usual, links are provided to my reviews of the actual movies themselves.


Movie Director Bond M Q Moneypenny Girl Villain
Dr. No Terence Young Sean Connery Bernard Lee N/A Lois Maxwell Ursula Andress Joseph Wiseman
From Russia with Love Terence Young Sean Connery Bernard Lee N/A Lois Maxwell Daniela Bianchi Lotte Lenya
Goldfinger Guy Hamilton Sean Connery Bernard Lee Desmond Llewelyn Lois Maxwell Honor Blackman Gert Fröbe
Thunderball Terence Young Sean Connery Bernard Lee Desmond Llewelyn Lois Maxwell Claudine Auger Adolfo Celi
You Only Live Twice Lewis Gilbert Sean Connery Bernard Lee Desmond Llewelyn Lois Maxwell Akiko Wakabayashi Donald Pleasence
On Her Majesty's Secret Service Peter R. Hunter George Lazenby Bernard Lee Desmond Llewelyn Lois Maxwell Diana Rigg Telly Savalas
Diamonds Are Forever Guy Hamilton Sean Connery Bernard Lee Desmond Llewelyn Lois Maxwell Lana Wood Charles Gray
Live and Let Die Guy Hamilton Roger Moore Bernard Lee N/A Lois Maxwell Jane Seymour Yaphet Kotto
The Man with the Golden Gun Guy Hamilton Roger Moore Bernard Lee Desmond Llewelyn Lois Maxwell Maud Adams Christopher Lee
The Spy Who Loved Me Lewis Gilbert Roger Moore Bernard Lee Desmond Llewelyn Lois Maxwell Barbara Bach Curd Jürgens
Moonraker Lewis Gilbert Roger Moore Bernard Lee Desmond Llewelyn Lois Maxwell Lois Chiles Michael Lonsdale
For Your Eyes Only John Glen Roger Moore N/A Desmond Llewelyn Lois Maxwell Carole Bouquet Julian Glover
Octopussy John Glen Roger Moore Robert Brown Desmond Llewelyn Lois Maxwell Maud Adams Steven Berkoff, Louis Jourdan
A View to Kill John Glen Roger Moore Robert Brown Desmond Llewelyn Lois Maxwell Tanya Roberts Christopher Walken
The Living Daylights John Glen Timothy Dalton Robert Brown Desmond Llewelyn Caroline Bliss Maryam d'Abo Jeroen Krabbé
Licence to Kill John Glen Timothy Dalton Robert Brown Desmond Llewelyn Caroline Bliss Carey Lowell Robert Davi
GoldenEye Martin Campbell Pierce Brosnan Judi Dench Desmond Llewelyn Samantha Bond Izabella Scorupco, Famke Janssen Sean Bean
Tomorrow Never Dies Roger Spottiswoode Pierce Brosnan Judi Dench Desmond Llewelyn Samantha Bond Michelle Yeoh, Teri Hatcher Jonathan Pryce
The World is Not Enough Michael Apted Pierce Brosnan Judi Dench Desmond Llewelyn Samantha Bond Denise Richards, Sophie Marceau Sophie Marceau, Robert Carlyle
Die Another Day Lee Tamahori Pierce Brosnan Judi Dench John Cleese Samantha Bond Halle Berry, Rosamund Pike Toby Stephens, Rosamund Pike
Casino Royale Martin Campbell Daniel Craig Judi Dench N/A N/A Eva Green Mads Mikkelsen
Quantum of Solace Marc Foster Daniel Craig Judi Dench N/A N/A Olga Kurylenko, Gemma Arterton Mathieu Amalric
Skyfall Sam Mendes Daniel Craig Judi Dench, Ralph Fiennes Ben Whishaw Naomie Harris Naomie Harris Javier Bardem

Sunday, 28 October 2012

Week in Review: October 22 - 27

Birthdays - This week we did a few birthdays; Christopher Lloyd turned 74, Kevin Kline 64, Cary Elwes 50, and John Cleese 73.  On a related note, the post for John Cleese was also my 200th post since starting this.

Movies - This week we finished off the Pierce Brosnan Bonds, with Tomorrow Never Dies, The World Is Not Enough, and Die Another Day. Of the lot, the best was probably Tomorrow Never Dies, although none were as good as the new film, Seven Psychopaths.

Books - Book of the week was the superbly written The Casual Vacancy by J.K. Rowling.  Her first foray into adult literature I enjoyed it, at least once I got over the shock of it.

TV - This week we did one of the recent miniseries on the Titanic, of the same name.  I enjoyed it, but I feel that it could have been done better.

Recommendations - Out this week is Cloud Atlas and Fun Size, both of which I'm looking forward to seeing.  In DVD we had a myriad of things that I've seen and reviewed over the months, so now it's your chance to check them out.

Next Week - Next week we are taking a break from the Bond!  We are also doing a bit of a movie overload, with a total of six films.  There's a bit of a Halloween theme, a bit of a Tim Burton theme, and a definite musical theme: we'll be doing my favourite Halloween related or somehow dark and messed up musicals, Nightmare Before Christmas, Sweeney Todd, Repo! The Genetic Opera, and Rocky Horror Picture Show.  New movies will be Frankenweenie and Fun Size.

Requests- Anything I should check out? Let me know!

Saturday, 27 October 2012

Birthday: John Cleese

Courtesy of Wikipedia
Today is the 73rd birthday of British actor, comedian, and many other things, John Cleese.

Cleese really became famous through his work as a member of Monty Python, where he starred and wrote for both the sketch show and the four movies. Cleese went on to do his own show, Fawlty Towers with then wife Connie Booth, then embarked on a film career of his own.  He has appeared in two James Bond films, two Harry Potters, and three Shreks, and a large number of stand alone films.  I always love when I see Cleese in something, just because he's such a funny man.  In addition to his lengthy film and TV career, Cleese has also been honoured in other ways; a species of lemur has been named for him (Avahi cleesei), an asteroid has been named for him (9618 Johncleese), and a New Zealand rubbish heap has been named for him (Mt Cleese).  He has also declined both a CBE and a life peerage, the former because he thought it was "silly" and the latter because it would require staying in England year round and England in the winter was "too much of a price to pay."  He did, however, play Sir Lancelot the Brave in Monty Python and the Holy Grail, so he's definitely got his titles.

Happy birthday, sir!

Thursday, 25 October 2012

Die Another Day (2002)

Director: Lee Tamahori
Genre: Action, Adventure, Thriller
Rating: C

I'm not entirely sure how I feel about this movie.  While it does escape from the evil Soviets plot, the twist did surprise me, and I really liked a lot of the references and allusions to previous Bonds, it was also overly complicated, cheesy, and a bit too much.  Roger Moore said of the film "I thought it just went too far – and that’s from me, the first Bond in space! Invisible cars and dodgy CGI footage? Please!"  That's actually pretty much exactly how I feel.  I like Brosnan overall as a Bond, but this movie in general felt like it should have been a Roger Moore one - and in my opinion, that's not a good thing.

The background to this is that Bond (Brosnan) was captured by the North Koreans while on a mission related to illegally traded African conflict diamonds.  After 14 months of captivity Bond is released in exchange for the release of North Korean agent Zao (Yune), whose face had been disfigured by diamond fragments during the struggle with Bond.  Once released, Bond is suspended from active duty because M (Dench) doesn't believe that he hasn't leaked information, so Bond escapes to complete his mission.  In Havana (because that where you go when your mission involves North Korea) Bond meets NSA agent Giacinti 'Jinx' Johnson (Berry), who he follows (along with Zao) to a gene therapy treatment, where more conflict diamonds are discovered, this time with the company crest of British billionaire Gustav Graves (Stephens).  Bond returns to England to continue the investigation, where he meets fellow MI6 agent Miranda Frost (Pike), who is undercover as Graves' assistant.  Points if you guess who's sleeping with who!

There's a lot about this movie that is really classic Bond and in a way, I admire Tamahori for trying to recreate that feel of the series.  The problem is, however, that you really can't go back.  What made movies like Dr. No work only worked because of the time in which they were created.  Outside of the sixties and seventies, classic Bond doesn't work as well; that was one of the problems of the Roger Moore films.  Die Another Day fails even more because in addition to trying to grasp that classic feel it also tries to incorporate new technology, namely CGI.  The result is rather disastrous.  No, the result is horrendous.  Actually, there's more to it than that.  Another part of the problem is that while trying to envoke a lot of the old classic feel Die fails to intentionally invoke the humour and the cheese.  As such, it's a lame and cheesy movie that fails to realize it's as much.  It's okay to be ridiculous, when you know that's what you're doing - that's why Dr. Strangelove is so awesome.  If you take yourself seriously but fail to be serious, you just don't work out in the end.