Buttercup's Baby

Author: William Goldman

Genre: Fantasy, Adventure, Romance, Comedy

Rating: C-

I really didn't enjoy Buttercup's Baby.  I get that it's incomplete (and likely to stay that way), but it just didn't captivate me.  Instead, really it did the opposite: it took characters that I (for the most part) loved, and made me kind of really dislike them.  It made me dislike Inigo, Fezzik, Westley, and Buttercup.  Okay, I already disliked Buttercup, but I loved Inigo and Fezzik.  I swear I did, and by the end of the first chapter of Buttercup's Baby I hated Fezzik.

For those of you who don't already know, Buttercup's Baby is the announced but as of yet not actually completed sequel to The Princess Bride.  So far all that's been released of it is a sample chapter composed of the introduction and the first chapter, attached to the 25th and 30th anniversary editions of the book.  For the George R.R. Martin fan who is used to waiting for sequels to books the state of Buttercup's Baby should be almost comforting: the next A Song of Ice and Fire novel is going to be finished eventually, the next Princess Bride story, however, probably isn't.  To be honest, I'm really not going to be disappointed if Buttercup's Baby never takes any form beyond this first chapter.

In my review of The Princess Bride I wrote that Westley and Buttercup were in essence Mary Sues.  Things are just a bit too easy for them and they're a bit too perfect - or they're supposed to be.  In Buttercup's Baby Fezzik and Inigo seem to be determined to join the Mary Sue, especially following the birth of the titular baby, Waverly.  Sure the whole chapter sets up that Fezzik's about to die and thus fail at something, but the connection between Fezzik and Waverly is just.. it's lame.  Making things worse is the many inturruptions by Goldman himself.  While The Princess Bride was able to develop somewhat of a flow before Goldman began to interrupt himself here he just goes off, as if he has become overly obsessed with the sound of his own voice (metaphorically speaking, of course).  Thus, there's no real flow to the first chapter of Buttercup's Baby and as it all progresses you just can't help but cringe.  It's really just not enjoyable.

The Princess Bride

Author: William Goldman

Genre: Fantasy, Adventure, Romance, Comedy
Rating: B

"Life isn't fair. It's just fairer than death, that's all."

There’s a part of me that inherently feels bad for not giving The Princess Bride a higher rating.  In the almost thirty years since it was written it’s become a classic, and deservedly so.  It’s an amazing piece of comedic fantasy and an even more amazing piece of metafictional satire – in a way it’s a satire of books that are satires.  At the same time, however, the story itself is rather gimmicky, the threats to the protagonists are far too easily overcome, and William Goldman’s comments within the text can be a bit much.

At its core The Princess Bride is a story of true love: the beautiful Buttercup is in love with farm hand Westley, but a series of unfortunate events pulls them apart – he, presumably dead, is captured by the Dread Pirate Roberts and she is forcefully engaged to marry Prince Humperdinck, the heir to the Florin throne.  It’s also a story of friendship, as midway through the series of unfortunate events Buttercup is abducted by three men who all rather desperately need each other: the Sicilian criminal genius (Vizzini), the Spanish master swordsman (Inigo), and the Turkish giant (Fezzik).  Vizzini is a hunchback who seems to really need to have people around in order to be amazed at his genius; Inigo needs someone to tell  him what to do, although in his heart he longs to take vengeance on the six-fingered man who killed his father; and Fezzik fears being alone above all other things and longs for companionship.  There’s more to it than just this, however, as The Princess Bride is presented as an abridged version of a much longer book by the same name, written by S. Morgenstern. Goldman was read the story as a child by his father, who left out all the lengthy boring bits, and upon discovering that as an adult Goldman insisted on abridging his favourite novel with “just the good bits.”  Thus, the book has a lengthy introduction explaining Goldman’s backstory to the novel and is filled throughout with his own commentary, telling you where he’s cut out things and making references to the way his father told him the story the first time – and in one moment of sheer awesomeness saying that he wrote an additional scene for the novel, but his editor wouldn’t let him include it in the novel so if you write them they’ll send you the three page addition.  With one of the more recent releases of the books, this request can now be made online and an amusing letter regarding the scene will be sent to your email.  It’s actually a really good way of continuing the book that I have to give Goldman props for.

I do enjoy the story of Princess Bride, although whenever I read the text itself I can't help but feel that Goldman spends too much time providing the back story.  The story of how he decided to annotate the book is interesting and all, but it goes on for far too long, as do some of his commentary asides.  This is in contrast to the development of the characters, which is actually wanting.  I love Fezzik and Inigo, who Goldman does develop, but Buttercup and Westley are both kind of Mary Sues.  Goldman writes a lot that is supposed to act as development for the two, but really they both seem to just get by on naturally derived talent.  Buttercup is dumb as a post but amazingly beautiful and Westley is good at everything he does.  Everything.  The villans, however, are evil simply for the purpose of being evil.

The ending itself is a bit disappointing as well.  Despite the difficulties that overwhelm the characters everything seems to just fall into place for them.  They seem to win not because of any real thing that they do but because they have to.  It all just seems a bit too easy, a bit too simple, a bit too contrived.  It may just be that I know the story too well, and as such any suspense is removed.  I'm not entirely sure.

Recommendations: June 15

Rock of Ages – From director Adam Shankman Rock of Ages is a movie adaptation of a hit Broadway musical, about two young would-be singers trying to make it big.  Set in an LA nightclub in the late 80s, featuring 80s pop metal music, and composed of an ensemble cast, this musical looks awesome.  Really, even if the story didn’t hold up, or the acting was bad you could still expect to have fun watching Rock of Ages because of the music alone.  But given as it’s already a success on Broadway, the story is already known to be good, and the cast is well tested.  I’ve been excited about seeing this movie since I first saw a trailer for it, a few months ago.

That’s My Boy – In Adam Sandler’s latest comedy he plays a goofball father who resurfaces in time for his son’s wedding.  While I appreciate the fact that Sandler appears to be acting to his age instead of as a goofball guy pursuing a much younger woman, I’m rather bored by his movies.  I think I’ll be passing on this one.

Chicago­ – It’s being predicted that Rock of Ages will kick off a musical renaissance that will surpass the musical renaissance experienced early in the millennium.  While it’s far too early to tell if that prediction is true, I think it’s fitting to recommend that you watch Chicago, the movie credited with having kicked off the last musical renaissance – pay no attention to the fact that Moulin Rouge came out a year earlier...

Moulin Rouge – Actually, let’s not ignore this earlier musical.  While it may not have won as many awards as Chicago did, Baz Luhrmann's Moulin Rouge is just as great of a movie (some might even say better).  This is one of my favourite movies of all time.

Reign Over Me – In honour of Adam Sandler’s new movie, I’m going to recommend that you see one of Sandler’s best movies to date – although, I should warn you, it’s not a comedy.  In Reign Over Me Sandler is Charlie Fineman, a man who lost his entire family on September 11^th.  Since then he’s been struggling with a very crippling depression; this movie is about the way in which his former college roommate (Don Cheadle) tries to help him come to terms with his loss.

I recently came across my copy of William Goldman's The Princess Bride, which I think is a total must-read book (as is the film).  I’ve also stumbled across JR.R. Tolkien's The Hobbit.  As TheHobbit: An Unexpected Journey is set to come out this December, I recommend reading the book that it’s based on.  If you start now, you might just finish it in time for the movie’s release.  On a not-made-into-a-movie(-yet) note, there’s also the clever, insightful, and humourous Hokkaido Highway Blues (also known as Hitching a Ride with Buddah) by Will Ferguson, describing the time that he decided to hitchhike across Japan following the Cherry Blossom Front.  It’s a really interesting read.