Showing posts with label Timothy Dalton. Show all posts
Showing posts with label Timothy Dalton. Show all posts

Thursday, 15 November 2012

Bond: In Review

Courtesy of Wikipedia
I'm just going to stick a note out there: while I usually try to be at least semi-spoiler free (the jury is still out on whether or not I'm successful there), I am not going to maintain that in this post. It is possible that there will be spoilers for all the movies, including Skyfall.
Directors: Terence Young, Guy Hamilton, Lewis Gilbert, Peter R. Hunt, John Glen, Martin Campbell, Roger Spottiswoode, Michael Apted, Lee Tamahori, Marc Forster, Sam Mendes

Movies: In my opinion, the best Bond film was Casino Royale.  This surprised me largely because I'm not usually a fan of origin stories and reboots, but I like what they did here - it was kind of like the Bond-version of Christian Bale's Batman, minus the exposition explaining the back story.  I don't think I'm going to list off all the movies in order of how much I liked or did not like them, but I will say that my top 5, in order of release, would be Dr. No, From Russia with Love, GoldenEye, Casino Royale, and Skyfall.  My bottom five, also in order of release, would be On Her Majesty's Secret Service, Live and Let Die, Moonraker, The World is Not Enough, and Die Another Day.

Bonds: If you've been paying attention, my favourite Bond was by far Daniel Craig.  Despite the problems of his series, and I will admit that there were many - particularly with Quantum of Solace - I really like the character that he portrayed here most.  In a lot of ways, it's a more rounded and developed person than the previous Bonds.  My second favourite would be Sean Connery, and I would follow that up with Timothy Dalton, Pierce Brosnan, Roger Moore, and George Lazenby, in that order.

Ms: Oh, how I love Dame Judi Dench.  She really rocked the M.  My favourite line in the entire series is her characterization of Bond in GoldenEye, and I really love the relationship that she had with her two Bonds.  I did also like Bernard Lee, and I'm really looking forward to seeing what Ralph Fiennes does with the character in the future - I hope they retain him in the as-of-yet titled Bond 24 and Bond 25.  Sorry Robert Brown, you didn't make much of an impact on me.  Thus, in order: Judi Dench, Bernard Lee, Ralph Fiennes, Robert Brown.

Qs:  While I was really happy that they reintroduced Q in Skyfall, I wasn't particularly wowed by Ben Wisham's Q.  He had some good lines and played a significant role, but he didn't wow me. I loved Desmond Llewelyn's Q, and while I really enjoyed John Cleese's role, I think I preferred him as "R" to Q. I kind of feel that Q needs to be a bit more of a straight man than Cleese allowed for.  I don't think Peter Burton left an impact either.  In order: Desmond Llewelyn, John Cleese, Ben Whishaw, Peter Burton.

Moneypennys: The best Moneypenny, by far, is Lois Maxwell's.  She played the roll in 16 films, against three Bonds.  I really love how she balanced the flirtation with Bond against the rejection of Bond.  My second favourite would be Samantha Bond, who really seemed to embrace the early Moneypenny while also going with a bit of a more modern upgrade.  This upgrade was initiated a lot by Caroline Bliss' Moneypenny, but it didn't have the earlier affection - I didn't like her.  As for Naomie Harris... I'm still really on the fence here.  I loved her as a Bond girl, but I hate the idea of Moneypenny being a Bond girl.  I'm really not sure if she crossed that line here, and that bothers me.  Thus, in order: Lois Maxwell, Samantha Bond, Caroline Bliss, and Naomie Harris sits out on the sidelines.

Bond Girls: I'm not going to go into the individual Bond girls, as there are so many of them - with the exception of Quantum of Solace, which only has two, there's always been at least three, and in A View to Kill there were six women identified as Bond girls.  I'm always a bit mixed on the Bond girls in general, they kind of seem to go back and forth between being useful, developed characters, and simply just sex objects.  I think in general I liked the earlier ones more than the later ones simply because they didn't try to force us to believe that they were more than just sex objects - the idea of the Bond girl having to be this strong, independent person really began to be forced on is in the Brosnan movies, but a lot of the girls before then were a lot stronger and really better characters.  One thing, I'm not a huge fan of the Daniel Craig Bond girls, with the exception of Casino Royale's Vesper Lynd (Eva Green) and, in a complicated way, Skyfall's Eve Moneypenny (Naomie Harris).  I thought that both were really strong characters. I really loved Vesper in general and the way that Bond develops feelings for her specifically - in a way it's very reminiscent of On Her Majesty's Secret Service, without the cheese.  I also really liked the relationship that Bond and Eve had, I just didn't like the reveal of her being Moneypenny in the end - Moneypenny is not a Bond girl.

Villains: I really fluctuate on my feelings towards different Bond villains.  Some of them I loved, some of them I hated.  Some of them I thought were great actors and were doing their best with what was given to them, but still fell short.  My favourite villains in general tended to be the ones who either operated as a part of some elaborate fictional organization - SPECTRE or Quantum - or were rogue agents themselves.  I actually kind of find it funny that these movies seem to pair up Bond dealing with a rogue agent with Bond going rogue himself.

Music: You know what might be my favourite part of this series overall?  The music.  I really love most of the themes for this series, and in particular the way that they make reference to the film's title - it doesn't happen in all the films, but definitely enough.  I can kind of divide the themes into two categories; songs that totally have a James Bond theme song sound to them, and ones that don't.  In my opinion, the former category is far better.  These include Adele's "Skyfall," Madonna's "Die Another Day," Tina Turner's "GoldenEye," Sheena Easton's "For Your Eyes Only," and Paul McCartney and the Wings' "Live and Let Die," as well as the Shirley Bassey songs, "Goldfinger" and "Diamonds Are Forever."  Even just in typing the names out, the songs have implanted themselves into my head, resulting in a strange mashup playing out.  Now, that's not to say that other Bond-songs aren't good, just that they don't sound as much like Bond songs  and thus are somehow less iconic.  What is the most iconic of all, of course, is the "Bond Theme Song," which I think perfectly captures the feel of a Bond film.

I'm just going to finish this off with a table listing off the movies and the actors in the major roles.  As usual, links are provided to my reviews of the actual movies themselves.


Movie Director Bond M Q Moneypenny Girl Villain
Dr. No Terence Young Sean Connery Bernard Lee N/A Lois Maxwell Ursula Andress Joseph Wiseman
From Russia with Love Terence Young Sean Connery Bernard Lee N/A Lois Maxwell Daniela Bianchi Lotte Lenya
Goldfinger Guy Hamilton Sean Connery Bernard Lee Desmond Llewelyn Lois Maxwell Honor Blackman Gert Fröbe
Thunderball Terence Young Sean Connery Bernard Lee Desmond Llewelyn Lois Maxwell Claudine Auger Adolfo Celi
You Only Live Twice Lewis Gilbert Sean Connery Bernard Lee Desmond Llewelyn Lois Maxwell Akiko Wakabayashi Donald Pleasence
On Her Majesty's Secret Service Peter R. Hunter George Lazenby Bernard Lee Desmond Llewelyn Lois Maxwell Diana Rigg Telly Savalas
Diamonds Are Forever Guy Hamilton Sean Connery Bernard Lee Desmond Llewelyn Lois Maxwell Lana Wood Charles Gray
Live and Let Die Guy Hamilton Roger Moore Bernard Lee N/A Lois Maxwell Jane Seymour Yaphet Kotto
The Man with the Golden Gun Guy Hamilton Roger Moore Bernard Lee Desmond Llewelyn Lois Maxwell Maud Adams Christopher Lee
The Spy Who Loved Me Lewis Gilbert Roger Moore Bernard Lee Desmond Llewelyn Lois Maxwell Barbara Bach Curd Jürgens
Moonraker Lewis Gilbert Roger Moore Bernard Lee Desmond Llewelyn Lois Maxwell Lois Chiles Michael Lonsdale
For Your Eyes Only John Glen Roger Moore N/A Desmond Llewelyn Lois Maxwell Carole Bouquet Julian Glover
Octopussy John Glen Roger Moore Robert Brown Desmond Llewelyn Lois Maxwell Maud Adams Steven Berkoff, Louis Jourdan
A View to Kill John Glen Roger Moore Robert Brown Desmond Llewelyn Lois Maxwell Tanya Roberts Christopher Walken
The Living Daylights John Glen Timothy Dalton Robert Brown Desmond Llewelyn Caroline Bliss Maryam d'Abo Jeroen Krabbé
Licence to Kill John Glen Timothy Dalton Robert Brown Desmond Llewelyn Caroline Bliss Carey Lowell Robert Davi
GoldenEye Martin Campbell Pierce Brosnan Judi Dench Desmond Llewelyn Samantha Bond Izabella Scorupco, Famke Janssen Sean Bean
Tomorrow Never Dies Roger Spottiswoode Pierce Brosnan Judi Dench Desmond Llewelyn Samantha Bond Michelle Yeoh, Teri Hatcher Jonathan Pryce
The World is Not Enough Michael Apted Pierce Brosnan Judi Dench Desmond Llewelyn Samantha Bond Denise Richards, Sophie Marceau Sophie Marceau, Robert Carlyle
Die Another Day Lee Tamahori Pierce Brosnan Judi Dench John Cleese Samantha Bond Halle Berry, Rosamund Pike Toby Stephens, Rosamund Pike
Casino Royale Martin Campbell Daniel Craig Judi Dench N/A N/A Eva Green Mads Mikkelsen
Quantum of Solace Marc Foster Daniel Craig Judi Dench N/A N/A Olga Kurylenko, Gemma Arterton Mathieu Amalric
Skyfall Sam Mendes Daniel Craig Judi Dench, Ralph Fiennes Ben Whishaw Naomie Harris Naomie Harris Javier Bardem

Tuesday, 16 October 2012

Licence to Kill (1989)

Director: John Glen
Genre: Action, Adventure, Thriller
Rating: B

This was not a Bond film.  It was about 007 and was a part of the franchise, but it wasn't a Bond film, not in the way that we've come to know (and love?) Bond.  In a lot of ways it actually really reminded me of On Her Majesty's Secret Service, except with a better lead.

Bond (Dalton) and his DEA friend Felix Leiter (David Hedison, last seen in Live and Let Die) come together to assist in the capture of drug lord Franz Sanchez (Davi) before going to Leiter's wedding.  All is fine and dandy and the wedding goes off with a hitch... until Sanchez escapes and attacks Leiter and his wife, raping and killing her and having him maimed by a shark.  Bond finds out and embarks on a mission of revenge, without the approval or assistance of MI6 (although Q (Desmond Llewelyn) does pop in for the typical gadget giveaway).  Fortunately, though, he does have the assistance of ex-Army pilot and CIA informant Pam Bouvier (Lowell), because all Bond really needs is a mission, a few gadgets, and hot chick by his side.

There was a lot about this movie that really reminded me of On Her Majesty's Secret Service, although not really in a good way.  There's a lot that seems to be trying to set Bond up as something more than a playboy, and throughout the entire wedding scene I couldn't help but feel like the film was going to end with another wedding scene (and subsequent death), like it's precursor did.  Let me make this clear; I think Bond is somewhat of a sexist pig, constantly going from one sexual conquest to another, at times even having multiple consorts at one time.  It's what makes Bond Bond though, and attempts to change that - especially when they forget that they changed it for the next movie.  There's a sort of consistency that the movies where he's just a playboy has, and a disconnect that the ones where he tries (or pretends) to be something more have.  It's rather annoying.

Playboy issues aside, the whole drug lord revenge plot was both really good and really not Bond.  Part of who Bond is is this element of MI6, and removing him from that in such a way - for the revenge of the death of this woman we've never seen before and this man who we don't really remember from a Bond several movies back.  While I don't mind the idea of Bond going rouge, it just doesn't work as well with the incarnation of this Bond - especially if you think about the emphasis that they put on him being the guy who follows the rules (kind of) in The Living Daylights.  It was a good plot idea, and it was a good movie overall... it just wasn't very Bond-y.

Thursday, 11 October 2012

The Living Daylights (1987)

Director: John Glen
Genre: Action, Adventure, Thriller
Rating: B

The Living Daylights returns us to the USSR and issues with the KGB.  This time, Bond (Dalton) is searching for KGB General Georgi Koskov (Krabbé), who defected to the British only to be abducted and presumably taken back to Moscow.  Being the gentleman that he is, Bond uses cellist Kara Milovy (d'Abo), Koskov's girlfriend, in an attempt to track down Koskov.  He's also been directed to track down General Leonard Pushkin (Rhys-Davies), who has allegedly revived the KGB policy of Smert Spionam, or Death to Spies.  Meanwhile, arms dealer Brad Whitaker (Baker) is in the process of procurring American arms for the Soviets to use in Afghanistan.

Dalton's Bond isn't as slick as his predecessors, both in appearance and technique.  While he's sill got that charm and arrogance he appears to rely more on the gadgets and what not - and while I was willing to forgive the cliches of the earlier movies simply due to their age, I'm less willing to forgive the cliches of these later movies.  Shooting lazer beams out of a car is just lame, regardless of the decade.

Despite the fact that Dalton isn't as slick as Roger Moore was, I think I actually might prefer him.  Yes the movie's cliched, Bond is too dependent on his gadgets, but at least this movie wasn't completely ridiculous and over the top.  You can kind of tell that the filmmakers are trying to shed some of the humour of the earlier Bond films, which given the way the humour's been going in the last few films I don't really see that as being a bad thing.  The Living Daylights isn't nearly as tongue in cheek as it could have been, but it's not as ridiculous either.  It definitely went on a bit long, but I overall enjoyed it.