Author: Diana
Gabaldon
Genre: Novella,
Historical, Mystery
Rating: A
Once again I’m
going to start off a review of a Lord John story by referencing the first Lord
John story, "Lord John and the HellfireClub." My critique there was that because
of the brevity of the work some of the plot was lost due to all the details
that Gabaldon includes in her writing.
This issue is remedied in "Lord
John and the Succubus". Part of this remedy
is because of the increased length, while still being a novella it is much
longer than "Hellfire Club", but the
greater part is because in "Succubus"
Gabaldon has learned how to nicely balance the detail and the plot.
"Succubus" picks up much roughly where Lord John and the Private Matter left
off: Lord John Grey has gone to Germany (or what would later become Germany) to
join the staff of Captain Stephan von Namtzen, Landgrave von Erdberg. Here men begin to die of a mysterious cause,
and rumours of a succubus begin to spread.
Once again, it is left up to Lord John to investigate the matter and
figure out just how these men have died and whether or not the succubus is
real. He also must contend with the not-so-subtle
advances of the Princess Louisa von Lowenstein, while trying to figure out
whether or not Stephan is attracted to him.
The story
here is nicely done, Gabaldon weaves the threat of the supernatural with the
real deaths together very nicely. In the
earlier parts of the story I really did begin to wonder if the succubus might
be real, despite the fact that Gabaldon’s stories are, time travel aside,
largely set in the real world. Gabaldon
conveyed the real fears of the men very well, and showed the mixture of firm
belief and strong disbelief, as well as many points in between the two. The language in which much of the story takes
place had me a bit confused; it is set in a Germanic part of Europe, thus the
majority of the characters should be speaking a dialect of German. While Gabaldon does make it clear that Grey
has some German, and the many upper class characters are all proficient in
English, in the first chapter of the book Grey does in fact have some
difficulty understanding the language, particularly if spoken rapidly. Throughout the book there are points when the
dialogue is written in German, implying that unless otherwise noted the
dialogue is in English. Grey’s early
struggles with understanding some things combined with this note makes me
question just how he’s able to interview some of the characters in a language
that they logically wouldn’t be able to speak – I really don’t buy that
Austrian gypsies in the nineteenth century are fluent in English. But then, I could really just be reading into
this too much and over thinking things.
As such, if this is my biggest flaw with the story then it stands to
reason that it’s a pretty good story.
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